The ticketing company keeps your brand
Your audience buys on someone else's site, under someone else's logo, and the data lives in someone else's database. You stage the play; they keep the audience.
Seating maps, season passes, automatic reviews and a chatbot that sells tickets at 2 AM. All under your brand, your domain, with money straight into your account.
Your stack today, bought separately
21 tools · list prices
Total per month
2.208 $
≈ 27.742 $ in year one, including 1.250 $ to get started
What kind of events do you run?
The page adapts to your vertical
Your audience buys on someone else's site, under someone else's logo, and the data lives in someone else's database. You stage the play; they keep the audience.
Seats in one app, mailing in another, reviews by hand, cash in Excel. Every show starts with an hour of copy-paste.
Payouts at 15 or 30 days, withholdings you don't understand and a fee that raises your ticket price without your say.
21 tools an organizer ends up paying for separately. Keep a running total as you scroll.
We set up your account, events, payment methods and site. With a Fanz person, not a tutorial.
We bring over your events, buyers and history. Your audience never notices the switch.
We buy it and pay for it. If you ever leave, the domain is yours.
Infrastructure, SSL and scaling for high-demand days. Fanz pays for it.
Numbered seats, sections and zone pricing, in 2D and 3D.
Sub-second QR validation from any phone, offline included.
Recurring billing, perks and exclusive presales for members.
Tracked links, automatic commissions and seller leaderboards.
Wix-style, but with AI: describe your brand and it builds the site in minutes. Customize it with no code.
Campaigns to your whole audience, with no cap on contacts or monthly sends.
Abandoned cart, reminders, post-event and win-back flows on autopilot.
Your whole audience with purchase history, segments and tags.
Channel attribution, conversion funnels and ROI per campaign.
One inbox for web, WhatsApp, Instagram and email, with each buyer's history. The AI answers and sells 24/7 with no conversation limit: Fanz covers the usage.
Automatic Google review requests after every event.
Real-time sales, per-producer settlements and cash closing.
Automatic invoices for every sale, integrated with the tax authority.
Descriptions, emails and posts generated in seconds in your voice.
An AI marketing director that analyzes your data and tells you what to do each week.
Your bill
0/21 tools
0 $/mo
Your bill
0 $
per month, every month
+ 0 $ to get started
≈ 27.742 $ in year one. And that's before your ticketing platform's fee. Keep scrolling.
Keep scrolling. There's more.
Public list prices (USD, September 2026) of equivalent tools, taken from their pricing pages. Assumptions: 1 user, ~10,000 contacts, ~2,500 seats sold per month and annual billing where the vendor publishes it. Reference values only: they vary with volume, contacts and users.
Now, the same bill
Total per month
+ 1.250 $ to get started
8.26% per ticket sold. That's all you pay.
No monthly fee, no setup, no contracts. Implementation, migration, domain and hosting are on Fanz.
With Fanz
8.26% per ticket sold. Same rate at every volume.
12 cases from your vertical. Open their pages: every one of them runs on Fanz, with their brand and their domain.
In their words
“Wir sind von 30 % auf über 70 % Online-Verkauf gestiegen. Das Publikum kauft schnell und fehlerfrei, das Team arbeitet mit weniger Stress, und der Umsatz wächst dank Rotation ohne Warteschlangen und automatischen Follow-up-E-Mails.”

Von einer generischen Plattform zu einer maßgeschneiderten Abendkasse, die den Verkauf steigert und das Publikumserlebnis verbessert.

Historischer Saal mit 1.100 Plätzen, der 2026 seinen gesamten Betrieb auf Fanz startete: 3D-Pläne, rollenbasiertes CRM, eigener Website-Builder und ein Chatbot, der +7 % Umsatz brachte.

Luján's official theater — a historic 1884 building — left a bank's ticketing platform and grew sales 42% with its own brand, AI marketing, automated support and reserved seating.

Its founder built it in 2005 to erase every wall between stage and audience. Only one was left standing — the digital one — and it came down when they left Plateanet: sales are up 42%.

In a 200-seat house, every empty chair is visible from the stage. This Olivos theater left Entrada Uno, geared up with big-theater technology and sells 42% more.

The name doesn't lie: the room lives two lives — 130 seats in classic theater layout or 100 spots as a café concert with tables and bar service. The only thing that never transformed was its ticketing, one more page inside Alternativa Teatral. Now it sells under its own brand, up 42%.

La Pampa's biggest theater has no venue: it has roads. Ancla tours Patricia Sosa, Piquín and Gordillo through 8 venues in two provinces — and the whole tour used to sell on Ticket8, under someone else's brand. Now it sells through its own box office, up 42%.

Von Alternativa Teatral zu eigener Domain, 4× schnellerem QR und einem Panel für 50 Produzenten.

Von einer generischen Plattform zu White-Label mit eigener Domain, 3D-Saalplan und KI-Remarketing.

Mar del Plata: eigene Domain, 3D-Saalplan und eine App, die Shows, Seminare und Ausstellungen im Top-3-Theater bei Google vereint.

Von Passline zu eigener Domain, Mercado Pago und einer Abendkasse, die Fanz bereits an benachbarte Theater weiterempfohlen hat.

25 years of tango at Café Tortoni, the oldest café in Buenos Aires — with tickets sold by hand: WhatsApp and cash at the counter. Today the whole world buys online, and sales are up 42%.
Want to see the other 25 cases from other verticals?
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